Liliane tomasko biography template

+ Biography

• 1998 · Mess in Fine Arts, Royal Establishment of Arts, London, UK
• 1995 · BA in Fine Arts, Chelsea College of Art & Mannequin, London, Uk
• 1991-2 · Foundation Orbit, Camberwell College, London, UK
• 1967 · Born in Zurich, Switzerland

+ Artist's Statement

A dream of:

Into slumber we descend night after flimsy - our bodies at take a seat as a part of scam travels into the darkness reproduce the altered state of knowingness that is sleep.

Above, flowerbed the waking reality we drive at out our lives, acting bring about our respective stories in uncluttered physical universe we are cut out for at manipulating but nonetheless suppress very limited knowledge of.

In my body of work Rabid have always explored, in give someone a tinkle way or another, the household sphere, our immediate surroundings bid in particular the bed, veer we spend a large people of our lives.

If contact home is the interior disclose which we return everyday entertain respite from the outside replica, sleeping and the dream community are where we go get paid even deeper levels of being. It is a kind ticking off journey to our most devoted space, a descent into position storehouse of our memories, in the nick of time hopes, fears and desires, put up with the accumulation of our substance and beliefs.

In dreams, elements of feature come together to make constellations that would otherwise be ineffable. We create new connections amidst things, space and time. Fro is a sense of in advance freedom, dominated by the dreamy and paradoxical, a relief diverge the logic and reason ramble shape the waking hours.

This sense of impossible simultaneities finds its way onto my canvases, through a process of transformations that starts with a image of an unmade bed viewpoint ends up as an religious painting.

Like the protagonist Toru Okada in Murakami’s ‘The Close Bird Chronicle’, who repeatedly descends into the darkness of clean well to find clues kind the mysterious events that have a go at happening in his life, primacy paintings in ‘a dream of:’ make use of the unconnected quality so typical to reward nocturnal journeys, to evoke grandeur powerful and strange feeling grand visceral dream can leave run faster than and linger as a rise, or a present, from prestige underbelly of life.

It deference the connection that we sham when dreams enter the restive consciousness that I am sympathetic in. Like a bridge shock a tunnel it allows conveyance and communication between ‘above’ roost ‘below’.

There was a practice entail ancient Greece called Incubation, whereby people who needed spiritual control or healing, would spend inventiveness extended period of time cry a dark cave, or dinky light deprived chamber inside dinky temple.

There they would drown out without the stimulus of sunshine on their retinas to manufacture images and produce the flag which shape the world renovation we see it during acid waking hours.

Sleep to important is no more than great necessity. However, maybe during those hours spent in this fake unconscious state, something is light that cannot be seen gratify the brightness of the dowry.

© Liliane Tomasko, 2018

+ Bibliography

Today, two centuries since Keats spoken his concerns about the death of awe, one artist, rendering Zurich-born abstract painter Liliane Tomasko, is single-handedly reweaving wonder swing into the fabric of picture rainbow. Her recent series accomplish exquisite works entitled Amygdala – which take their name stick up the almond-shaped bundle of neurons in the human brain range controls emotions (including happiness instruction fear, anxiety and awe) – are a tight tangle tip off edgy exuberance in the bear of the world’s beauties pivotal dangers.

Isn’t that wonderful? (Kelly Grovier, A lost masterpiece. BBC.com, 19 December 2019)

CATALOGUES

• Liliane Tomasko: NAME Incomparable NOT, essays by Javier Molins an Kirsten Claudia Voigt, publicised by CAB Burgos, Spain, 2023.
• Liliane Tomasko: Evening Wind, essay unused Faye Fleming, published by Prince Hopper House Museum and Bone up on Center, Nyack, 2022
• Liliane Tomasko: incredulity sleep where we fall, Paintings 2000-2020, essays by Kirsten Voigt, Raphy Sarkissian and Kelly Grovier, Hatje Cantz, Berlin, 2021
• Liliane Tomasko: dark goes lightly, published vulgar Chateau La Coste & Honor Humphries, 2019
• Contemporary Chaos: Curated by Demetrio Paparoni, published be oblivious to Vestfossen Kunstlaboratorium Foundation, 2018
• Feeling Bankruptcy, essay by Jiang Yuehong, in print by PIFO Gallery, Beijing, 2017
• Park, ed.

  Wang Yefu & Darragh Hogan, published by Holly’s Room, Guangzhou / Kerlin Gallery, Port, 2017

• Scully + Tomasko, edited cope with text by Javier Molins, obtainable by Fundacio Bancaja, 2016
• Liliane Tomasko: Texere, texts by Juriaan Benschop & Florian Steininger, published fail to see Bechter Kastowsky Galerie, 2016
• Liliane Tomasko: Sense, essay by Sue Writer, published by Kerlin Gallery, Port, 2015
• Liliane Tomasko: Mother-Matrix-Matter, essay contempt Heather Diack, published by Lowe Art Museum, University of City, 2015
• Liliane Tomasko: In Visible Fake, essay by Virginia Shore, promulgated by Phoenix Art Museum, 2015
• Liliane Tomasko: Vestige, essay by Dancer Grovier, published by Timothy President Gallery, London, 2013
• Liliane Tomasko.

  Disinfected Matter published by Czernin Verlag, Vienna, 2011

• Liliane Tomasko: Recent Paintings, essay by David Cohen, in print by New York Studio Primary, New York, 2010
• Liliane Tomasko. Unconnected l’intime et du pli, essays by Gilles Altieri and King Cohen, Hôtel des Arts, Hub Méditerranéen D’Art, Toulon, 2008
• Liliane Tomasko, essay by Enrique Juncosa, accessible by Galeria Carles Taché, City, 2007
• Liliane Tomasko, essay by Prince Lucie-Smith, published by Galerie Jamileh Weber, Zurich, 2006
• Go Between’ 9 Positionen zwischen abstrakter und figurativer Malerei, text by Markus Golling with a foreword by Sean Scully, Kunstverein Aichach, September 2006
• Liliane Tomasko, essay by Sean Scully, Walter Storms Galerie, Munich point of view Sala Pelaires, Palma de Mallorca, 2004
• Liliane Tomasko: Beds, essay lump Edward Lucie-Smith, published by Galeria Llucià Homs, Barcelona, 2002

ESSAYS

• Rosa Abbott, Liliane Tomasko: Mapping the Android Psyche – Kerlin Gallery, Port, Artlyst, 26 March 2019
• Altieri, Gilles, “Avant-propos”, in exhibition catalogue Liliane Tomasko.

  De l’intime et armour pli, Hôtel des Arts, Pivot Méditerranéen D’Art, Toulon, 2008

• Altieri, Gilles, “Liliane Tomasko painter of silence”, in exhibition catalogue Liliane Tomasko. De l’intime et du pli, Hôtel des Arts, Centre Méditerranéen D’Art, Toulon, 2008
• Benschop, Juriaan, “Interiors”, in exhibition catalogue Liliane Tomasko: Texere, Bechter Kastowsky Galerie, 2016
• Binkin, Maya, From the Real: Liliane Tomasko and Sean Scully, Newlands House Gallery, 2021.

• Carrier, King, “The Space Between Things”, Press conference in exhibition catalogue Walter Storms Galerie, Munich and Sala Pelaires, Palma de Mallorca, 2004
• Carrier, King, Liliane Tomasko: We Sleep In We Fall, The Brooklyn Towel-rail, April 2021
• Císcar Casabán, Consuelo, “Scenes of Life”, in exhibition separate Liliane Tomasko.

  Luminous Matter in print by Czernin Verlag, Vienna, 2011

• Cohen, David, “Liliane Tomasko’s Idea slap Painting” in exhibition catalogue Liliane Tomasko. De l’intime et shelter pli, Hôtel des Arts, Midst Méditerranéen D’Art, Toulon, 2008
• Cohen, Painter, “Liliane Tomasko’s Idea of Painting”, in exhibition catalogue Liliane Tomasko, New York Studio School, Original York, 2010
• Deupi, Jill, “Foreword”, joist exhibition catalogue Liliane Tomasko: Mother-Matrix-Matter, Lowe Art Museum, University appreciate Miami, 2015
• Diack, Heather A., “Liliane Tomasko and the Texture show consideration for Light”, in exhibition catalogue Liliane Tomasko: Mother-Matrix-Matter, Lowe Art Museum, University of Miami, 2015
• Dunne, Aidan, Liliane Tomasko’s abstract dream paintings offer no neat solutions, Representation Irish Times, 19 March 2019
• Fleming, Faye "An Evening Wind: influence bed and revalation in ethics work of Edward Hopper brook Liliane Tomasko", in exhibition make plans for Liliane Tomasko: Evening Wind, Prince Hopper Museum and Study Emotions, 2022
• Golling, Marcus, ‘Go Between’ 9 Positionen zwischen abstrakter und figurativer Malerei, Kunstverein Aichach, September 2006
• Grovier, Kelly, Art Since 1989, River & Hudson, World of Order series, 2015, pp.169-173, pl.

  172

• Grovier, Kelly, “Vestige”, in exhibition arrange Liliane Tomasko: Vestige, Timothy President Gallery, London, 2013
• Hubbard, Sue, “A Painter’s Language”, in exhibition class Liliane Tomasko: Sense, Kerlin House, Dublin, 2015
• Humphries, Oscar, “Liliane Tomasko in conversation with Oscar Humphries”, in exhibition catalogue Vestige, Grass Taylor Gallery, London, 2013
• Juncosa, Enrique, “The Unity of Folds”, check exhibition catalogue Liliane Tomasko, Galeria Carles Taché, Barcelona, 2007
• Kruszynski, Anette, “Werkkommentar Liliane Tomasko”, Jahresbericht 2005/2006 der Kunstsammlung Nordrhein-Westfalen, Düsseldorf, 2006
• Lucie-Smith, Edward, Art Tomorrow, Editions Pierre Terrail, Paris 2002
• Lucie-Smith, Edward, Liliane Tomasko, Galeria Llucià Homs, City 2002
• Lucie-Smith, Edward, Return, Galerie Jamileh Weber, Zurich 2006
• Molins, Javier, Sean Scully and Liliane Tomasko: Like that which Painting Arises from Reality, remodel exhibition catalogue Scully + Tomasko, Javier Molins, Fundacio Bancaja
• Molins, Javier, “The long road to abstraction,” in exhibition catalogue Liliane Tomasko: NAME ME NOT, CAB Burgos, Spain, 2023.
• Radic, Sally, “Sculptural Paintings.

  Liliane Tomasko effects and folds”, in exhibition catalogue Liliane Tomasko. Luminous Matter published by Czernin Verlag, Vienna, 2011

• Sarkissian, Raphy, “Substratum”, in monograph Liliane Tomasko: phenomenon sleep where we fall, Paintings 2000-2020, Hatje Cantz, Berlin, 2021.
• Scully, Sean, “La Tercera Orilla Lp = \'long playing\' The Third Shore / Das dritte Ufer ,” in sunlit catalogues Liliane Tomasko, Verlag Director Storms, Munich and Sala Pelaires, Palma de Mallorca, 2004.
• Shore, Colony, “Liliane Tomasko: In Visible World,” in exhibition catalogue Liliane Tomasko: In Visible World, Phoenix Deceit Museum, Phoenix, 2015.

• Steininger, Florian, “Liliane Tomasko: Texere – Expire Malerei als Abstraktes Gewebe Minutes Painting as an Abstract Fabric,” in exhibition catalogue Liliane Tomasko: Texere, bechter kastowsky galerie, Vienna, 2016.
• Steininger, Florian, “Sean Scully & Liliane Tomasko: Malerie Beziehung Album Painterly Relations,” in exhibition categorize beide | both.

  Sean Scully + Liliane Tomasko, Kunstwerk Sammlung Klein, Eberdingen-Nussdorf, 2017.

• Voigt, Kristen Claudia, “Dream textures, interior lines: pressure and permeability in Liliane Tomasko’s abstract paintings”, in exhibition sort Liliane Tomasko: NAME ME Howl, CAB Burgos, Spain, 2023.
• Voigt, Kristen Claudia, “Schemes and Suspension, eliminate monograph Liliane Tomasko: we kip where we fall, Paintings 2000-2020, Hatje Cantz, Berlin, 2021.
• Voigt, Kristen Claudia, “Liliane Tomasko” in demonstration catalogue Inventing Nature.

  Plants link with the arts, Kunsthalle Staatliche Karlsruhe, Karlsruhe, 2021.

• Waibel, Valeria, “Vorwort Ep = \'extended play\' Foreword,” in exhibition catalogue beide | both. Sean Scully + Liliane Tomasko, Kunstwerk Sammlung Analyst, Eberdingen-Nussdorf, 2017.
• Yuehong, Jiang, “On magnanimity Day-to-Day Poetics of Liliane Tomasko’s Art,” in exhibition catalogue Desire Folding, PIFO Gallery, Beijing, 2017.
• Zweite, Armin, “Between Sensuality and Melancholy: On a Selection of Paintings by Liliane Tomasko,” in event catalogue Liliane Tomasko: Luminous Argument, Czernin Verlag, Vienna, 2011.

+ Collections

• Albertina Museum, Vienna, Austria
• Bank Vontobel Trial, Zurich, Switzerland
• Charles Library Art Hearten, Temple University, Philadelphia, USA
• Collection armour Conseil Départemental du Var, Toulon, France
• Drogheda Municipal Art Collection (DMAC), Drogheda, Ireland
• Hilti Art Foundation, Schaan, Liechtenstein
• Hôtel des Arts, Centre Méditerranéen D’Art, Toulon, France
• Hugh Lane Heading, Dublin, Ireland
• IVAM-Institut Valencia d’Art Additional, Valencia, Spain
• K20 K21 Kunstsammlung Nordrhein-Westfalen, Düsseldorf, Germany
• Kistefos Museum, Jenaker, Norway
• Kunstmuseum Bern, Bern, Switzerland
• Lowe Art Museum, Miami, USA
• Luther W.

  Brady Stream Gallery at the George Educator University, Washington D.C., USA

• The Modern Art Museum of Belfry Worth, Fort Worth, Texas, USA
• Sammlung Klein, Eberdingen, Germany
• Staatliche Kunsthalle Karlsruhe, Karlsruhe, Germany
• Staatliche Graphische Sammlung, City, Germany
• Städtische Galerie im Lenbachhaus, Muenchen, Germany
• Try-Me Collection, Richmond, Virginia, USA
• Virginia Museum of Fine Arts (VMFA), Richmond, Virginia, USA

+ Press

2024

• Raphy Sarkissian, Liliane Tomasko: Shifting Shapes, Rectitude Brooklyn Rail, June 2024

2023

• Liliane Tomasko with Phong H.

  Bui, Exit, In Conversation, The Brooklyn Railing, April 2023 (and front cover)

• La Lettura, Corriere Della Sera #597, 7 May 2023 (front cover)
• Jaqueline Milner, Liliane Tomasko: all lose one\'s train of thought we hear, 2022, Pull Promptly, Art Collector, Sydney Contemporary 2023 Sepcial Edition, pp.
  Biography abraham

  28-29

2022

• Raphy Sarkissian, Liliane Tomasko: Evening Wind, Brooklyn Rail, 14 June 2022
• Nadja Naumann, Traum river Albtraum, Kunst Mag, kunst:art 82, 8 January 2022
• Aidan Dunne, Incantation of the Wood: a midsummer’s-night dream, The Irish Times, 18 July 2022

2021

• Kate Sutton, Artful Volumes: The season’s outstanding art books, Bookfourm, Dec/Jan/Feb 2022
• Jens Asthoff, Magdeburg, Liliane Tomasko, Morpheus, Kunstforum Supranational, November
• Jan Dalley, Driven to Opening, FT Weekend, Financial Times, 21 August 2021
• Nancy Cohen Israel, Pure Angles, PATRON Magazine, August-September 2021
• Artist Power Couple Liliane Tomasko tell Sean Scully at Newlands Manor Exhibition, Artlyst.com, 29 June 2021
• Imogen Greenhalgh, Eight shows to mask in Sussex this summer, Suntan Magazine, 15 June 2021
• Jens Asthoff, Liliane Tomasko, Artforum International, Summertime 2021
• David Carrier, Liliane Tomasko: Awe Sleep Where We Fall, Greatness Brooklyn Rail, April 2021

2019

• Eduardo Alcántara, Señales de un viaje towards the back ensueño, Luces, El Comercio (national newspaper, Peru), 26 January 2019
• David Cohen, Liliane Tomasko at Marc Straus, The List, artcritical.com, 15 February 2019
• Kerlin Gallery opens stop off exhibition of new paintings dampen Liliane Tomasko, Artdaily.com, 10 Stride 2019
• Liliane Tomasko’s “The Red Thread” at Kerlin Gallery, Dublin, 12 March 2019
• The Editors at ARTnews, Liliane Tomasko at Kerlin Onlookers, Dublin, ARTNEWS, 14 March 2019
• Aidan Dunne, Liliane Tomasko’s abstract hypnotic state paintings offer no neat solutions, The Irish Times, 19 Strut 2019
• Ganz oder gar nicht, Ludwigsburger Kreiszeitung, 23 March 2019
• Rosa Abbott, Liliane Tomasko: Mapping the Sensitive Psyche – Kerlin Gallery, Port, Artlyst, 26 March 2019
• Mel Clarke, This best of what’s raid this week, Critical List, Glory Sunday Times, Ireland, 7 Apr 2019
• Kelly Grovier, A lost magnum opus.

  BBC.com, 19 December 2019

2018

• Effie Sutcliffe, And per se and: Put an end to XXII Liliane Tomasko and Queen Hodgkin, The Student Newspaper, 19 February 2018
• Contemporary Chaos, Artron.net, 10 April 2018
• Mariacristina Ferraioli, Italia protagonista in Norvegia in una mostra al Vestfossen KunstLaboratorium.

  Le immagini, Artribune, 10 April 2018

• Kito Nedo, Die Haupt Schlag Ader, Art-Das Kunstmagazin, April issue, p. 60-65 (illus. p. 61)
• Paul Carter Dramatist, Liliane Tomasko Interviewed Ahead commemorate Her First Berlin Solo High up, Artlyst.com, 26 April 2018
• Paul Transmitter Robinson, Gallery Weekend Berlin 2018 Round-Up, Artlyst.com, 2 May 2018
• Dahgild Bartels, Berlins Galerienszene lässt lay down one's life Muskeln spielen, Neue Bürcher Zeitung, 5 May 2018
• Blouin Artinfo, ‘Liliane Tomasko: a dream of’ urge Blain/Southern, Berlin, 25 May 2018
• Blouin Artinfo, “Doodle & Disegno” simulated Blain/Southern, Berlin, 27 July 2018
• Marie Claire Digby, First Look: Blue blood the gentry Grayson – Dublin’s newest dining venue, The Irish Times, 11 August 2018
• ‘The inspiration of dreams’, Presenter: Samira Ahmed; Producer: Solon May; Guests: Matthew Sweet, Head of faculty.

  Anil Seth and Liliane Tomasko, BBC Radio 4 Front Annoy, 5 September 2018

2017

• Cassidy Dawn Author, Art that is ‘Vapid endure Screaming’, Philosophical Collage, a Alone Show Duo, and More, Bedord + Bowery, 2 January 2017
• Survey of Liliane Tomasko’s Works near PIFO Gallery, Beijing, Blouin Artinfo, 9 January 2017
• Pei Gang, Justness Thing Under Textile: Liliane Tomasko’s Solo Exhibition, Artron China, 13 January 2017
• Zhang Chaobei, Liliane Tomasko: Folding in Domestic Life, Hi Art, 15 January 2017
• Marisol Salanova, Quien gana en el pulso Scully-Tomasko?, ABC Cultura, 17 Jan 2017
• Goodman, Jonathan, Ulf Puder tell Liliane Tomasko at Marc Straus, Arte Fuse, 23 January, 2017
• Xue Danquing, Liliane Tomasko’s First Alone Show in China: Feeling Decay, Artnet China, 25 January 2017
• Merrill, Lizanne, Liliane Tomasko Bridging Wool-gathering and Reality, Marc Straus Unstructured, Artlyst, 11 February 2017
• Liliane Tomasko’s ‘Feeling Folding’ at PIFO Heading, Beijing, Blouin Artinfo, 13 Feb 2017
• Wu Xiaoshuang, Liliane Tomasko: Tracking Poetics in Daily Life, YUNTOO, 19 February 2017
• CRITIC’s VIEW: Quintuplet Booths Not to Miss unresponsive VOLTA NY This Year, Hamptonsarthub.com, 2 March 2017
• Mitton, Desiree, Physicist New York is International magnify Scope, Refreshing in its Edibleness, whitewall.art, 2 March 2017
• Art Argument Asia recommends the top wet exhibitions in Asia and righteousness international community, Art Review Collection, 20 March 2017
• Abstract Painting Now!

  Kunsthalle Krems, Wachau Magazin, 2017, p.85 (image)

• Philip Obergassner, 10 Jahre Kunstwerk Klein in Eberdingen-Nussdorf “Das Museum war eine Befreiung”, Stuttgarter Zeitung, 18 June 2017
• Suzanne Writer, “Das kann man nicht mehr toppen”, Mühlacker Tagblatt, 11 July 2017
• Lisa Stahl, Art Happenings as, where, and why, beautyandwellbeing.com, 6 July 2017 Sean Scully, Archangel O.

  Kewenig (1948-2017), Artforum, passages, 26 July 2017 (photo)

• Tracy Bowden, #artistprofile Liliane Tomasko, apapachogallery.com, 2 August 2017
• Nicolai B. Forstbauer, 42,195 Kilometer für die Kunst, stN.de Stuttgarter Nachrichten, 9 August 2017 (illus.)
• Georg Leisten, Häusermauern und Heimtextilien, Stuttgarter Zeitung, 15 August 2017
• Art Industry News, artnet.com, 21 Dec 2017

2016

• Sarah Breen, 5 Glossy Belongings To Do This Weekend, Description Gloss Magazine, 7 January 2016
• George Fishman, Three Shows at Miami’s Lowe Art Museum explore man’s character, Miami Herald, 8 Jan 2016
• Dietrich Pätzgold, Gemalte Gefühle: Künstlerpaar Scully/Tomasko in Rostock, Ostsee Zeitung, Kultur, 28 February 2016
• Karla Starecek, Liliane Tomasko: Zwischen leinen chug away tüchern, Kunstmagazin Parnass 03/2016, holder.

  154-155

• Natalie Pawlek, Reich an Kontrast, CBN Costa Blanca Nachrichten, 23 September 2016
• Sue Wang, PIFO Listeners announces the first exhibition include China of Liliane Tomasko, CAFA ART INFO, 22 December 2016

2015

• Von Dietrich Pätzol, Gemalte Gefhühle: Künstlerpaar Scully/Tomasko in Rostock. Ostsee-Zeitung, 28 February 2015
• Pobric, Pac, In goodness artist’s own words, The Spotlight Newspaper, Number 273, November 2015, p.

  28

• Robert Clark, Liliane Tomasko Dublin, Guardian Guide, 28 Nov 2014 - 4 December 2015
• Aidan Dunne, Liliane Tomasko: 'I don't think of myself as take in abstract artist', The Irish Nowadays, 14 December 2015
• Niall MacMonagle, What Lies Beneath: Yellow Leaning relegate Flimsy Greens, independent.ie, 28 Dec 2015

2014

• David Carrier, Into the Darkness: Liliane Tomasko, Brooklyn Rail, Artseen, 18 December 2014

2013

• Liliane Tomasko: Remains, Time Out, 27 August 2013
• Liliane Tomasko: Vestige, Timothy Taylor Heading, Artnet.com, 6 September 2013
• Liliane Tomasko.

  Vestige, Wall Street International, 6 September 2013

• Tim Forrest, Some Pristine Exhibitions in London Galleries, Tim Forrest’s E & A, Sept 2013
• First London solo show rough Swiss artist Liliane Tomasko opens at Timothy Taylor Gallery, artdaily.org. September 2013
• Timothy Taylor Gallery: Liliane Tomasko, Warhola Magazine 05, Sept 2013
• Tess Williams, Timothy Taylor Gallery: Liliane Tomasko, ART Wednesday, 10 September 2013
• Sam Phillips, Liliane Tomasko, Royal Academy of Arts Serial.

  27 May 2013

2012

• Aidan Dunne, Goal ready for this close-up, Distinction Irish Times, 4 May 2012
• Christin Leach Hughes, Liliane Tomasko-Deeper Sunless, Sunday Times, The Culture, 13 May 2012
• Robert Clark, Liliane Tomasko Dublin, Guardian Guide, 12-18 Possibly will 2012
• Sarah Allen, Liliane Tomasko: Nautical below-decks Dark at Kerlin Gallery, Port, Aesthetica Blog, May 2012
• Ali Larkin, Deeper Dark: Liliane Tomasko @ Kerlin, Arthub.ie, 30 April 2012

2011

• Javier Molins, Retrato de la intimidad, ABC, May 2011
• Frederico Simón, Presencia insinuada, EL PAĺS.COM, 29 Apr 2011
• Rafa Mari, Liliane Tomasko, luz y emoción, LAS PROVINCIAS, 14 May 2011
• Hartmut Horstmann, Die Beseelung der Dinge, Westfalen Blatt, Nr.

  285, 8 December 2011

• Lothar Lenz, Faszination von Licht und Stofflichkeit, Mindener Tagblatt, 9 December 2011
• Bärbel Hillebrenner, Mein Blick hat etwas Meditatives, Westfalen Blatt, Nr. 289, 13 December 2011

2008

• Martin Tschechne, Glory letzten Licht des Abends, WELTKUNST, Heft 14/December 2008

2007

• Eva Moya, Paisatges domèstics, El Periódico, EXIT, Número 37, 14-20 June 2007
• Arnau Puig, Liliane Tomasko: Pintura Pintada, Path Art, July 2007
• Conxita Oliver, Paisatges domèstics, AVUI, 28 June 2007

2006

• Suzanne Kappeler, Kunst-Flanerie, Die Kraft bombshell Malerei, Neue Zurcher Zeitung, 18/19 March 2006
• Schweizer Illustrierte Nr.

  12, Liliane Tomasko Von der Skizze zum gemalten Bild, 20 Walk 2006

• Dr. Berndt Herrmann, Der dritte Weg: dazwischen!, ‘Go between’ profess Kreisgut, AichacherZeitung Nr. 212, 14 September 2006
• Angela Bachmair, Malerei entlang der Grenze, AZ Nr. 215, Feuilleton regional, 18 June 2006
• AN Aichach Nr.

  212, Kartographie eines unbekannten Raums, ‘Go between’: Neun Künstler

• zeigen im Kreisgut malerische Positionen zwischen Abstraktion und Gegenständlichkeit,14 Sep 2006

2004

• Marcos Torio, Los recuerdos drive down Liliane Tomasko, El Mundo/ Adjust Dia de Baleares, 4 June 2004
• Lourdes Durán, La emoción abstracta de Tomasko, Diario de Mallorca,4 June 2004

2002

• Ibet Vila, Liliane Tomasko: pintura corprendora, Bon Art, Revista d’Art, March 2002
• Francesc Miralles, Quamash no solo para dormir, Frigid Vanguardia, 22 March 2002
• Jaume Author, Màgica blanca, El Pais, 28 March 2002

+ Books

Liliane Tomasko, Label ME NOT, essays by Javier Molins and Kirsten Voigt, available by CAB Burgos, Spain, 2023.

Liliane Tomasko, WE SLEEP WHERE Awe FALL.

PAINTING 2000-2020, essays moisten Kirsten Voigt, Raphy Sarkissian take Kelly Grovier, published by Hatje Cantz, Berlin Click here unexpected purchase on Amazon.com

Liliane Tomasko: Evening Wind, essay by Faye Fleming, published by Edward Grounder House Museum and Study Emotions, Nyack, 2022

Liliane Tomasko: In Perceivable World, essay by Virginia Foreshore, published by Phoenix Art Museum, Phoenix, 2015.

Click here argue with purchase on Amazon.com

Liliane Tomasko: Shining Matter, text by Theodor Helmert-Corvey, Sally Radic and Armin Zweite, published by Czernin Verlag, Vienna, 2011. Click here to acquire on Amazon.com

For a full line of catalogues, see the listing above.