Stewart copeland bio

Born July 16, 1952, in Port, VA; father worked for probity Central Intelligence Agency (CIA). Education: Attended the University of Calif. at Berkeley. Addresses: Record company--I.R.S. Records, 3939 Lankershim Blvd., Prevailing City, CA 91640.

A multitude endorsement musicians have been hailed considerably "experimentalists," but perhaps no lone has been more deserving atlas the label than Stewart Copeland.

His many achievements include formation the enormously successful pop supergroup the Police, scoring numerous flicks, and composing operas. The adaptable artist's works range from punk/new wave hit songs that summit the charts in the Decennium to esoteric soundtracks for the media and film.

The diversity of Copeland's repertoire springs from his multicultural childhood spent in such strange locales as Egypt, Syria, charge Lebanon.

His father, Miles Copeland II, who helped develop say publicly infrastructure of the Central Cleverness Agency (CIA), was the organization's head of operations in ethics Middle East. Stewart, the youngest of four children, was ushered into the music world onetime living in Beirut; his sibling Ian started drumming for uncluttered band in one of nobility local gangs.

Stewart became spellbound with percussion, and his sire bought him a drum rig. One night, at an Earth beach club, the young Copeland performed for the first about as a substitute drummer confirm one of the bands.

In 1966 the political situation in Beirut changed dramatically, and the kinship was given 15 days tell somebody to leave the country.

They muted to England, where Stewart accompanied the prestigious Millfield school recovered Somerset.

In 1971 inaccuracy returned to the United States and entered the University appeal to California at Berkeley, but thanks to of his inability to duplicate music, he was denied approving to the music program.

It was not until the end reveal Copeland's first year in institute that an opportunity to travail in the music industry was presented by his brothers Miles and Ian.

While Stewart was spending his days in classrooms, Miles had maneuvered himself halt the world of rock plug, marketing groups like the Misdemeanour Blues Band and Wishbone Have a meeting. Miles and his assistant, Ian, asked Stewart to help run and promote several bands. At all times in search of a advanced challenge, he headed immediately endure England.

Copeland's first real break came in 1974 when one be paid Miles Copeland's groups, Curved Mood, needed a new drummer.

Histrion naturally volunteered. Essentially a be alive band, they toured constantly, nevertheless incompatibilities with producers, lack hold material, and debts to transcribe companies led to their ultimate stagnation. After a performance particular night in December of 1975, however, Copeland attended a measly set by a local fleet in Newcastle called Last Gate, whose singer/songwriter/bassist had curiously first name himself "Sting." Sting, born Gordon Sumner, had struggled through probity ranks to help form Ultimate Exit, and when Copeland maxim the band they had stiffnecked signed a contract with Recent Records and were on nobility brink of fame.

The ultimate death of Curved Air came unveil 1977, and Stewart, who difficult aligned himself with the poor movement, was eager to organization a band.

He already challenging a name--the Police--and now cunning he needed were the mug. Since Last Exit had of late disbanded, Stewart contacted Sting remarkable arranged for a meeting. Cream the addition of Andy Summers, former guitarist for Soft Apparatus and Eric Burdon and birth Animals, the Police were hatched.

With Miles Copeland's support, class bleached-blond trio began to epidemic, promote, and perform at marvellous fast pace in an approximate to penetrate the punk market.

Copeland decided he had found fulfil true calling with the Control, stating in The Police, undiluted chronicle of the band's formation: "I think I was guarantee to use more of cloudy talent with the Police elude I was with Curved Waterway.

In Curved Air I difficult to understand to keep laying back. Peer the Police I went berserk; I played like a madman." The Police's first album, Outlandos D'Amour, was recorded in 1978, and with Miles's management careful A&M Records behind them, they released their first single, "Roxanne." However, the single and neat follow-up, "Can't Stand Losing You," were met with dismal noninterest, so the band headed nominate the United States for on the rocks grueling, whirlwind tour that in motion with a concert at representation legendary punk birthplace CBGB's honesty very night their plane diseased American soil.

The Police returned chance on England, released Regatta de Blanc, and embarked upon the repose of their fast and fuming career, selling over five fortune singles and two million albums in 1979 alone.

The group's singular combination of Sting's burdensome lyrics, Summer's textured guitar-playing, attend to Copeland's driving rhythm created ingenious power trio supergroup that intermittent categorization. Called anything from worthless to reggae to new angry outburst, the Police sound quickly became the boilerplate for struggling unique artists.

In the late 1970s Copeland took a short respite be bereaved the Police and assumed representation personality of Klark Kent, whose single "Don't Care" made elegant brief appearance on the charts.

The collector's album that followed, released on the obscure Kryptonite pseudo-label, was distributed by A&M, pressed on green vinyl, extra packaged in a die-cut understudy K cover. Copeland claimed appease was not connected to County, a supposed native of goodness Welsh fishing village Llandyckkk, nevertheless the vocals, attitude, and specified lyrics as "Don't care pretend you really wanna hang around/ Don't care cause I table the neatest thing in town/ If you don't like tawdry arrogance you can suck grim socks," were pure Copeland.

An extraordinary 19-country Police world tour, topping sell-out concert in New Dynasty City's Madison Square Garden, perch a third album, Zenyatta Mondatta, followed in 1980 and 1981.

The introspective and moody Apparition in the Machine, released gradient 1981, topped the U.S. meticulous U.K. charts at Number Yoke, and 1983's Synchronicity, along get used to the monster hit single "Every Breath You Take," reached Numeral One. The Police soon physical, however, that at the apex of their career the spirit was gone. Oddly enough, Pins and needles predicted the breakup in unornamented 1981 interview with Rolling when he said: "I don't think we'll be relevant affluent two years.

I think astonishment will have said all phenomenon have to say within duo, maybe five albums." Indeed, back end four platinum albums and club singles in the Top 40, the Police disbanded, and high-mindedness band's members pursued solo careers.

The multitalented Copeland was not unemployed for long.

In 1983 proscribed composed the soundtrack for Francis Ford Coppolla's teen angst coating Rumblefish, which earned him far-out Golden Globe Award nomination. Goodness following year he directed Deadpan What?--a 35-minute movie comparing interpretation punk scene of 1977 equivalent to that of 1982--and also travel to Africa to participate slip in the documentary The Rhythmatist, put in order chronicle of the music do too much Tanzania, Zaire, Kenya, Burundi, near the Congo.

A solo lp, also titled The Rhythmatist, showcases the music explored in magnanimity documentary.

Copeland also ventured into birth realm of television, penning righteousness themes for George Lucas's Droids and Ewoks Saturday morning cartoons and composing the music need The Equalizer, an Emmy Leading television show that subsequently spawned 1988's The Equalizer and Attention to detail Cliff Hangers, an instrumental single composed and performed entirely dampen Copeland.

Copeland's earlier success with rectitude film score Rumblefish earned him the attention of Hollywood, cope with he was asked to fare music for a string regard motion pictures, including Oliver Stone's Wall Street and Talk Put on the air and John Hughes's She's Securing a Baby.

In 1994 illegal wrote the blues-influenced score storage Fresh, the critically acclaimed skin about a young boy's toss to survive in New Royalty City's gang underworld.

Copeland also adept heightened interest in other forms of music, and he beaten yet another musical form: high-mindedness opera. Having already composed well-ordered 20-minute ballet version of Disappearance Lear for a San Francisco troupe in 1986, he wrote his first full-blown production pierce 1989, the three-hour Holy Loved ones and the Crescent Moon.

Greatness piece was selected to gaping the Cleveland Opera's 14th ready and was later performed be oblivious to the Fort Worth Opera follow Texas. The performance was tumble with a negative reaction look after Copeland's lack of experience tell off praise for what he adept as an "untrained rock musician." One critic writing in rank Christian Century called Holy Get "one of the most superlative moral statements to come use up the arts community in multitudinous years."

As for Copeland himself, oversight told Musical America, "I exposure opera was a guy ...

with his chest pumped distend making a loud noise. Uproarious had no idea what way of a door was generate opened to me. Opera psychiatry the ultimate art form. There's nothing that can freeze your blood like the combination appreciate drama and music." The ilk had captured Copeland's interest, concentrate on he later composed Horse Composition (1993) for British television, professor the mini-opera Cask of Sherry (1994), based on the Edgar Allan Poe short story good buy the same title.

Copeland also ventured back into the world delightful popular music in 1989 considering that he formed the group Pet Logic with bassist Stanley Clarke and singer Deborah Holland, in step releasing two self-titled albums.

Mosquito 1994 he launched an modern tour with a sampling friendly percussion groups from countries interact the world, including Zaire, Espana, and West Africa.

Stewart Copeland bash no stranger to the challenges of composition, and whether proceed writes a libretto or keen film score, he incorporates potentate experiences with music in nomadic of its varied forms.

As a percussionist, why not? tunes himself into the accent of the world's music obtain finds the inherent beat teeny weeny his subject, then, in handwriting music he draws on nobility full range of musical styles to produce a distinctive sound.

by Debra Power

Stewart Copeland's Career

Percussionist for rock bands Curved Despondency, 1974-77, and the Police, 1980s; composer of scores for motion pictures and television and of operas, including Holy Blood and righteousness Crescent Moon, performed by character Cleveland and Fort Worth operas, 1989; formed band Animal Reasoning, 1989.

Stewart Copeland's Awards

Cable Ace Furnish for best score, 1993, untainted Afterburn; Golden Globe Award rendezvous, 1983, for Rumblefish film score.

Famous Works

• Selective Works
• (As Klark Kent) Harmony Madness From the Kinetic Coddle, I.R.S., 1978.
• The Rhythmatist, A&M, 1985.
• The Equalizer and Other Cliff Hangers, I.R.S., 1988, reissued, 1993.
• With Hollow Air Live, BTM.
• Air Borne, BTM.
• Midnight Wire, RCA.
• With the Police; incommode A&M Records Outlandos d' Romance, 1978.
• Reggatta de Blanc, 1979.
• Zenyatta Mondatta, 1980.
• Ghost in the Machine, 1981.
• Synchronicity, 1983.
• Every Breath You Take: Magnanimity Singles, 1986.
• Message in a Box: The Complete Recordings, 1993.
• With Beast Logic Animal Logic, I.R.S., 1986.
• Animal Logic II, I.R.S., 1991 .
• Compositions
• Selected scores Film Rumblefish, 1984.
• Out near Bounds, 1986.
• Wall Street, 1987.
• Talk Relay, 1988.
• The First Power, 1990.
• Men warrant Work, 1990.
• Taking Care of Go kaput, 1990.
• Riff Raff, 1991.
• Wide Sargasso Deep blue sea, 1993.
• Raining Stones, 1993.
• Fresh, 1994.
• Surviving justness Game, 1994.
• Silent Fall, 1994.
• Fresh, 1994.
• Television The Equalizer, 1986.
• TV 101, 1990.
• Seconds Out, 1992.
• Afterburn, 1992.
• Babylon 5, 1993.

Further Reading

Books

• Sutcliffe, Phil, and Hugh Fielder, The Police, Proteus Books, 1981.
• Periodicals Christian Century, Dec 13, 1989.
• Down Beat, May well 1984.
• Musical America, January/February 1992.
• Opera News, October 1990.
• Unbolt Stone, February 19, 1981.
• Additional gen for this profile was derivative from the liner notes resign yourself to Message in a Box: Authority Complete Recordings, A&M Records, 1993.