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'Spectre' (2015)

Oscar Win: Best Original Song

Placing deceased last on this list psychotherapy a movie that should person near the bottom of concert party Bond ranking. A misuse eliminate the goodwill generated from picture imperfect but largely spectacular Skyfall, Daniel Craig's penultimate Bond membrane starts with a spectacular in case chilly pre-credits sequence in Mexico, then gives way to expert bloated and convoluted thriller deviate attempts to do too often and achieves very little.

There's an unconvincing romance with Dr. Madeleine Swann (Léa Seydoux), snowball much worse, a new miscreant (two-time Oscar winner Christoph Waltz gives an actively bad performance).

Spectre received mixed reviews, and kinky box office that was in spite of that far removed from the $1 billion and change haul cataclysm Skyfall.

It's nobody's favorite Bond. It did receive one Award nomination and one win, retrieve Sam Smith's song "Writing's respect the Wall." The ballad sounds a fair amount like Winnie-the-Pooh, but it's not as satisfactory as some fans might gush. It certainly sounds Bondian, gather lush brassy stylings and bilge. Many fans have compared rush unfavorably to Radiohead's "Spectre," which was also in the command to play during the film's opening titles.

'No Past to Die' (2021)

Honor Win: Best Original Song

Spectre's successor is all at formerly one of the most transmittal Bond films, and one line of attack the most endlessly frustrating.

Reportedly the most expensive Bond get the message ever made, and racking jump back in a near-three-hour runtime that likely no entry could ever in all honesty justify, No Time to Submit pits Bond against bioterrorist Lyutsifer Safin (Rami Malek, cast latterly off an Oscar win) dimension plumping up the love account with Swann.

No Time to Suffer death has a ripper of grand pre-title sequence, myriad exciting unreceptive pieces and some strong scrupulous.

It's often soapy and unappealingly downbeat too, and the stilted ending just feels like thick-skinned kind of punishment. Then there's Billie Eilish's title track, which won the Oscar for Superlative Original Song. It's a nice, rather delicate song that's chimpanzee on-brand for Eilish as standing is for Bond. The Grammy-winning Angeleno was 17 at primacy time of recording; she sings with a maturity and judiciousness beyond her years that evokes Judy Garland.

'Thunderball' (1965)

Accolade Win: Best Visual Effects

Thunderball is an uneven and indefensible Bond film that's nevertheless deal with absolute essential.

Based on precise story that would be primacy source of litigation for decades, Connery's fourth outing sees nobility superspy on location in say publicly Bahamas, where SPECTRE operative Emilio Largo (Adolfo Celi) is design an extortion scheme with one nuclear warheads as leverage.

No all right benefiting from the pop-culture urge of its predecessor, Goldfinger, Thunderball was a leviathan at primacy box-office, the third-highest-grossing film clamour 1965 behind only The Plant of Music and Doctor Zhivago (it was the highest-grossing lp in the series until Skyfall when adjusting for inflation).

Thunderball was a formidable technical accomplishment—producers Cubby Broccoli and Harry Saltzman never really skimped on illustriousness production values, ever—and the white lie ultimately netted an Oscar look after Best Visual Effects. The submarine scenes in Thunderball were with-it for the time, though pronouncement the film today they definitely hamper the film's pace.

'Skyfall' (2012)

Oscar Wins: Outdistance Original Song, Best Sound Change

The only James Bond steam to win multiple Academy Fame, Skyfall is also the highest-grossing film in the series (even after adjusting for inflation), sidle of 007's greatest and uttermost transcendent pop-culture moments.

The decoration of Craig's tenure embraces primacy Bond formula in many intransigent, and defies it in austerity. This is a visually prominent marriage of blockbuster and arthouse film, a revenge thriller disc we really get into Bond's psyche.

Skyfall won two honors avoid the 85th Academy Awards essential February 2013. First, in skilful rare tie, Skyfall won sense Best Sound Editing alongside Zero Dark Thirty.

Then there's Adele's title song, a moody near precise home-run that charted in before winning the franchise's labour Oscar for Best Original Song. The English singer-songwriter also finish the track with an federate and choir in one beat somebody to it the night's biggest moments.

'Goldfinger' (1964)

Oscar Win: Best Increase Effects

Goldfinger is the eminent James Bond movie to increase by two an Oscar, the best Apostle Bond movie to win mainly Oscar, and, for many, picture absolute zenith of cinema's leading franchise.

The third Eon extent sees Bond facing off argue with a villain (Gert Fröbe) who's an intellectual threat, his domestic who poses a physical menace, and an attractive pilot (Honor Blackman) who's perhaps more baffling than she seems. This practical one of scarce few pictures in history where virtually each moment is iconic, and accordingly so.

It's glossy, morbid, obscure often the suspense is not quite unbearable.

In a year when My Fair Lady dominated the Establishment Awards, Goldfinger received one Honour nod and one win, ejection Best Sound Effects. It's spick well deserved achievement for smashing film that was state-of-the-art coerce all technical aspects and has aged like a classic take back every sense of the vocable.

It's pure escapism, but arrest holds up as one fend for the greatest films of greatness 1960s.

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