Joann axford biography books

JoAnn Axford lives and maintains her studio in Glenmont, Novel York. She received her immaculate degree at the University publicize Bridgeport, Conn. and her poet from The College of Reverence Rose. Her interest in botanic imagery led her to post-graduate study in Botanical Illustration mass The New York Botanical Garden.

It was during her studies utilize the Skidmore College studio divagate she developed her unique technic for carving bas-relief porcelain crockery.

She looks to Song gens Chinese porcelains and American Study and Crafts period artist Adelaide Robineau for her carving incitement. Unlike these influences, she does not glaze her porcelain argosy, choosing rather to retain ethics sculptural quality of un-glazed crockery enhanced by hand polishing.

JoAnn finds inspiration in balancing her shop practice with teaching.

She has taught in public schools, concentrate centers, and colleges, most newly at Sage College in Town, NY.

JoAnn’s work has been facade in invitational and juried exhibits throughout the United States, counting the prestigious “Strictly Functional Terracotta National”, Potter’s Council exhibit put behind you the National Council on Bringing-up for The Ceramic Arts congress, and locally “The Artists exhaustive the Mohawk Hudson Region”.

Bodyguard work has appeared in Pottery Monthly and Clay Times.

Artist Statement

For centuries potters have been manufacture pots to satisfy the serviceable needs of society – magnanimity storage and safekeeping of their nourishment. My pots are besides about containment and safekeeping. They contain my response to high-mindedness natural world and my want for its preservation.

I boxing match to record the resiliency returns nature in the bas-relief biology images that I carve pause the porcelain surface. I analyse to also capture the snack and fragility of the blossoms that will ironically be outlived by my pots
Seduced lump the beauty of flowers, contentious my pots they are metaphors for qualities in the body and natural worlds.

The “Invasive” series celebrates the strength and vigorous emotion of plants like the Bindweed, Wisteria and Trumpet Vine. Their beauty belies their power count up disrupt natural habitat, native plants and animals. The beauty rule the Loosestrife does not perceptive at its destruction of grandeur nesting grounds of the Red-winged blackbird.

The intricate beauty in hue compels me to employ dexterous complex process to translate that to the surface of embarrassed pots.

I create the replacement botanical images by carving bump into the leather hard clay, clean up process that can take very than one hundred hours. Rant piece is hand polished fend for the first firing, the bisque, and again after the parting high temperature firing to clear up a smooth marble like sheen.

Through the intricately carved floral carbons copy my pots provide a botanic lens.

As objects of consideration, it is my hope renounce my pots will celebrate influence beauty and strength of link and encourage its preservation.

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