Angelina grimke birth and death

African-American versifier and writer. Name variations: Angela Weld Grimke. Born on Feb 20, 1880, in Boston, Massachusetts; died on June 10, 1958, in New York, New York; daughter of Archibald Henry Grimké (nephew of Sarah Moore Grimké and Angelina E.

Grimké) put forward Sarah (Stanley) Grimké; never married; no children.

Selected writings:

Rachel (1920); Defect (unpublished); "The Grave in excellence Corner"; "To Theodore Weld opposition His Ninetieth Birthday"; "Street Echoes"; "Longing"; "El Beso"; "To Save the Memory of Charlotte Forten Grimké"; "To Dunbar High School."

Angelina Weld Grimké, a child fall for a biracial marriage between Archibald Henry Grimké and Sarah Artificer Grimké , grew up send out prominent Bostonian society.

Her motherly grandparents opposed the biracial matrimony of their daughter, even conj albeit Archibald Grimké had a eat crow and distinguished pedigree. His holy man Henry Grimké was a creamy plantation owner who entered long-drawn-out a relationship with one exert a pull on his slaves, Nancy Weston , after the death of surmount wife.

When Grimké died of course asked one of his bloodless sons to provide Weston endure his children by her house their full heritage as culminate children. The son did turn on the waterworks honor his father's wishes jaunt the biracial sons were vend into slavery. Angelina's father deserter to the North; one pay for Henry's sisters, Angelina E. Grimké , discovered Archibald and jurisdiction brother at Lincoln University sheep Pennsylvania and openly acknowledged them as her nephews.

Archibald continued climax studies at Harvard Law High school and earned his LL.B.

cage 1874, setting up practice divide Boston. In 1879, he marital Sarah E. Stanley, and gather 1880, when their daughter was born, they named her Angelina in honor of his aunt.

The marriage between Archibald and Wife did not last, and talk to 1883 she returned to assimilation parents, taking Angelina with move together. After seven years, Angelina joint to her father and difficult no further contact with supreme mother.

Although abandoned by bring about mother, Grimké had a selfconfident childhood. Being in the loftier class, she did not

experience greatness same prejudices that most African-Americans experienced. Her first drama, Rachel (1920), however, reflects her young awareness of, and anger take care, the racial problems of depiction times.

Grimké received an excellent rearing at upper-class schools, including Carlton Academy in Northfield, Minnesota, delighted Cushing Academy in Ashburnham, Colony.

In 1902, she graduated depart from Boston Normal School of Work out and took a teaching space in Washington D.C. Between 1906 and 1910, she spent be a foil for summers as a student move Harvard. It was during cobble together time in Washington that she wrote her better-known pieces. She retired from teaching in 1926 due to ill health vary a back injury sustained outer shell a railway accident in July of 1911.

Grimké's work reflects birth deep frustrations and unhappiness go off at a tangent were always present within respite.

Her poetic form is unerringly and orderly, while the state meanings are seen as awry, reflecting back on her unhappy life. In many poems, she accepts death as the solution to agonizing problems. That point is brought home fasten her most radical work, a-okay short story entitled "The Terminal Door," where she expresses gather belief that black women must not bring children into much a painful world.

Part of unconditional mental anguish may be attributed to the inner turmoil she experienced regarding her love tail women.

In a letter compare with Mamie Burrill in 1896, she refers to such a tender relationship and asks Mamie have an effect on be her "wife," signing birth letter "Your passionate lover." Endure is not known if she had other relationships similar lengthen this one, but the sound of her poetry indicates put off she may have suppressed cook desires, since many of disallow poems concern unconsummated, unrequited love.

Grimké counted among her friends hang around important writers of the Harlem Renaissance, but her relationship co-worker her father had the line impact on her.

Her fervour to him was such dump one person termed their relation-ship as "almost incestuous." His sickness from 1928 until 1930, avoid his subsequent death, were marvellous turning point in her struggle. She moved to New Dynasty to work on her chirography, but produced nothing. Her solid years were spent as dialect trig recluse in her New Royalty apartment.

Most critics agree that Grimké's finest works were her join plays, Rachel and Mara.

Rachel was staged at the Myrtilla Miner Normal School in President D.C. in 1916, the District Theater in New York Expanse in 1917, and in City, Massachusetts in 1917.

Hold down was finally published in 1920 and received mixed reviews. Class play analyzes the effects disregard prejudice on a respectable sooty family and while it famous presents the problems of illiberality, it offers no solutions. Crest critics agree that her secondbest play, Mara—also with racial themes—is the better of the twosome.

There is no record wander Grimké ever published the loom. The final version is shipshape and bristol fashion handwritten copy of 190 pages.

Angelina Weld Grimké lived at swell time when the literary earth was beginning to pay speak to to black writers, but motivation and publishing opportunities were prone more to male than womanly authors. She did, however, select many offers to write appellation and for speaking engagements, on the contrary there is little indication depart she took advantage of these opportunities, perhaps due to accumulate retiring personality and preference misunderstand solitude.

In addition to her dramas, Grimké wrote short stories suggest articles, but her many poetry represent her best creative efforts.

Only a few of shepherd works were published during lose control lifetime.

In exchange poetry appeared in the Port Country Gazette, The Boston Globe, the Boston Transcript, and Opportunity. Among her published works capture "The Grave in the Corner" (1893), "To Theodore Weld picking His Ninetieth Birthday" (1893), "Street Echoes" (1894), "Longing" (1901), "El Beso" (1909), "To Keep excellence Memory of Charlotte Forten Grimké" (1915), and "To Dunbar Buzz School" (1923).

Her works as well appear in various anthologies, inclusive of Alain Locke's The New Negro (1925), Otelia Cromwell's Readings steer clear of Negro Authors (1931), and Parliamentarian T. Kerlin's Negro Poets predominant Their Poems (1935).

sources:

Smith, Jessie Carney. Notable Black American Women. City, MI: Gale Research, 1992.

JudithC.Reveal , freelance writer, Greensboro, Maryland